The future is here. Be scared.
Knocking down a concrete building usually takes brute force: Wrecking balls, huge excavators, or explosives rip apart walls while fire hoses spray water to keep the clouds of dust down. It’s an energy-intensive process, and after everything’s been torn apart, the concrete often ends up in a landfill or has to be trucked to a recycling facility. But a new concrete-erasing robot may eventually transform the messy business of demolition.
Transcendence is based directly on the principle of singularity, the moment when technology surpasses humanity. In fact, Dr. Caster, the film’s protagonist, even states as much in the trailer, asking an audience to, “Imagine a machine with the full range of human emotion. It’s analytical power will be greater than the collective intelligence of every person in the history of the world. Some scientists refer to this as the singularity. I call it Transcendence.”
Over the years, the biggest proponent of the singularity has been noted author, scientist, and futurist Ray Kurzweil, who freely acknowledges that, “Science fiction is the great opportunity to speculate on what could happen.” Although a notorious eccentric, Kurzweil’s thinking has led to numerous technological innovations over the last few decades. Recently, he partnered with Google (yes, Google) in their efforts towards “using techniques of deep learning to produce an artificial brain.”
Baraka (1992) 1h 37min.
A collection of expertly photographed scenes of human life and religion. Baraka is a documentary film with no narrative or voice-over. It explores themes via a kaleidoscopic compilation of natural events, life, human activities and technological phenomena shot in 24 countries on six continents over a 14-month period. The film is Ron Fricke’s follow-up to Godfrey Reggio’s similar non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. Shot in 70mm, it includes a mixture of photographic styles including slow motion and time-lapse. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements.
Need a simple tool to create a fantastic data visualization? Here are 30.
There have never been more technologies available to collect, examine, and render data. Here are 30 different notable pieces of data visualization software good for any designer’s repertoire. They’re not just powerful; they’re easy to use. In fact, most of these tools feature simple, point-and-click interfaces, and don’t require that you possess any particular coding knowledge or invest in any significant training. Let the software do the hard work for you. Your client will never know.